Hello! I’m back from my blog vacation. I apologize for the delay on this post. There were life circumstances that got in the way. And, yes, this post is a bit long winded, maybe a little rambling, and I might be trying to cram in too many points, but I had a lot of feelings, okay, and I had to get them all out. I think it’s worth reading. At least, I hope it is.

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1. VS Naipaul finds no woman writer his literary match – not even Jane Austen

2. Writing Across Gender by Jennifer Dubois

3. Psychologists Discover How People Subconsciously Become Their Favorite Fictional Characters by Christine Hsu

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From Writing Across Gender by Jennifer Dubois:

I don’t think it’s terribly controversial to note that women, from a young age, are required to consider the reality of the opposite gender’s consciousness in a way that men aren’t. This isn’t to say that women don’t often misunderstand, mistreat, and stereotype men, both in literature and in life. But on a basic level, functioning in society requires that women register that men are fully conscious; it is not really possible for a woman to throw up her hands and write men off as eternally unknowable space aliens — and even if she says she has, she cannot really behave as though she has. Every element of her life — from reading books about boys and men to writing papers about the motivations of male characters to being attentive to her own safety to navigating most any institutional or professional or economic sphere — demands an ironclad familiarity with, and belief in, the idea that men really are fully human entities. And no matter how many men come to the same conclusions about women, the structure of society simply does not demand so strenuously that they do so. If you didn’t really deep down believe that women were, in general, exactly as conscious as you, you could probably still get by in life. You could probably still get a book deal.

One of the main messages received by women from birth onward is that what they have to say isn’t important. If a woman values it? It’s just not all that significant. Especially if men in general place value on something different. Women are told that they are overly sentimental, that they are hysterical, that they are crazy, or lacking in logic, or are far too worried about those ridiculous things known as emotions.

As I mentioned in the last post in this three part series, our voices are deemed ‘less than’ simply because they are not the same as men’s, but no one seems to question whether men’s contributions might be lacking because they are not the same as women’s.

From Writing Across Gender by Jennifer Dubois:

Writing from a female point of view seems to be generally regarded as something more like writing from the perspective of a deer: you might get points for novelty, but it’d be impossible to get right, and who really wants to hear a deer narrate a story, anyway?

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Who me? A deer? Aw, shucks!

Recently, as gay men are finding a louder and louder voice (hooray!!), I’m hearing a lot about how they are not women, thank you very much. Which is absolutely true but certainly smacks of some misogyny, too, doesn’t it? Because if it wasn’t so horrible to be compared to a woman, then perhaps they would not mind so much. These kinds of comments always make me imagine a gay man standing on a woman’s face, saying to his straight brothers, “Hey, I’m not a girl! That bitch down there under my shoe? She’s a girl! Hahaha! I’m just like you! A dude! With a dick! Wanna see it?” It’s not a pleasant visual. (For what it’s worth, it also makes me squirm uncomfortably when a heterosexual person is accused of being gay and they deny it like they’ve just been accused of murder or worse.) But it seems clear that many gay men react so angrily and urgently to any accusations of being like a woman because in our society there is really very little worse than being a woman.

In the web series, Husbands, the more effeminate half of the newlyweds made it quite clear at one point that he was not a girl. Normally, this would have offended me — is it so very bad to be a girl? But in the way that the line was written and how the actor, Brad Bell aka Cheeks, delivered the line, it was made clear that it’s society’s problem with the feminine not the character’s own.

The scene in question is at the very beginning and rather funny! It’s worth watching!

But, in general, when gay men say that they are not women, it is with much more distaste, anger, and horror which is focused, not at society for not valuing the feminine, but at women themselves. And I thinks that’s sad for everyone involved.

Because of this lack of value for women’s voices, the silencing of women by men — straight or gay — is a very pervasive thing. It usually involves Gaslighting in multiple forms. And, in my opinion, the commentary that women can’t write as well as men, or don’t portray life as men know it in ways that men appreciate is yet another form of gaslighting. “Sorry, ladies, but the way you see reality and relationships and men and yadda? The stuff you find important enough to write about? It’s all crazy-cakes nonsense! We do not approve of or care about that! Not to mention, it’s all NOT EVEN REAL! Yes, that’s right! It is invalid! Move along!”

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Speaking of this kind of thing, a major complaint that I have often seen gay men make about women writing gay male relationships is that the women are writing it wrong. To me, that’s the same old noise that VS Naipaul was spouting in his statement that women writers are not equal to men writers because he can always spot that something was written by a woman within a few paragraphs. In other words — anything that has the taint of woman about it is automatically wrong and less. This remains true whether or not the men reading the writing are straight or gay.

The fact is — some women are good writers, some are bad writers. Some women can write good stories about gay men, and some women write unimaginative and bad stories about gay men. It is not a matter of writing ‘like a gay man’ so much as it is a matter of writing something well. And yet what is ‘writing something well’? Writing like a man? Like a gay man? Like a straight man? I would argue that a woman’s way of expressing characters, no matter their gender or sexuality, is relevant and worth hearing.

When it comes to women writing gay men, there is a lot of discussion of fetishization (which does sometimes happen) and heteronomative fantasies where one of the men is a ‘stand in’ for the woman in a relationship (which also happens). We also hear a lot of noise about how, as a minority group, women should be sensitive to misrepresenting or exploiting another minority group (and they should).

But the main thing that I see over and over is that women too often write gay male relationships in a way that betrays the author’s own ‘feminine sensibilities’, and thus it is ‘wrong’. In other words — women write like women.

There could be an equivalent complaint that men do not portray women in ways that women fully recognize as accurate representations of womanhood, and yet one hardly ever sees males putting forth arguments that men write women ‘wrong’ and therefore should stop writing women altogether or strive harder to achieve an authentic female voice. (You see a lot of feminists saying these things about the media we consume, but usually only when the portrayal of women is so horrendously sexist that something must be said about it. Usually, if the portrayal is sensitive enough — meaning the women aren’t presented in some utterly vile manner — women don’t mention it at all.) No, instead we assume that the best books written by males are the epitome of literature and of what humankind has to offer.

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Shh, babe. Just shut up. If you’re not giving me a perspective that feels authentic to my experience, I don’t want to hear it.

I’d argue that telling women who are not writing vile portrayals of homosexual men that they’re writing gay men (or reality) ‘wrong’, because it does not fit with how gay men (or heterosexual men) view the world is ultimately silencing and damaging. Because what is really being said is that if a woman’s voice or writing isn’t saying what men want it to say, in a way that men value, or exactly as men would have said it themselves, then the woman has no business writing it to begin with and should shut the hell up until they either write like a man, think like a man, or suddenly become a man.

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Thanks Beekman Boys for being awesome.

Sure, it would be ideal if we were all so incredibly in tune to each other that we could know exactly what it is like to be in someone else’s skin, to live someone else’s life, and feel their feelings, and know the world as they do. We could write incredibly realistic stories then. Heck, screw stories! Maybe world peace could be achieved if we really knew what everyone else on the planet went through and how they experienced sensations, emotions, and life in general. But, at the very least, men would no longer be writing women in ways that feel alien to actual women. Women would no longer write gay or straight men in ways that feel alien to actual gay or straight men. We’d have so much empathy for each other and tell gorgeous stories that went to humanity’s very heart.

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We could all buy the world a Coke.

Until then, maybe we only have our imperfect representation of other people. We only have stories that are told in our human female or human male voices, and told with our human gendered understanding of the world. And maybe, just maybe, the question isn’t whether or not women are writing gay men ‘right’ or ‘wrong’ but what this human being is saying about their life, their world, their experience through the use of characters, male or female, and maybe that is the important issue here. And maybe, just maybe if we all valued women and their experience of the world a little bit more, we wouldn’t be so damn offended by the stories they choose to tell with male or female characters.

And, yes, sometimes what someone is saying about their life or their experience is that they’re objectifying and fetishizing a group of people. Sometimes they’re saying they’re ignorant, or bigots, or too lazy to do research about the topic they are writing about. Sometimes they’re saying that they’re crap writers, but they have these sexy fantasies and they want to share.

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Sometimes, though, what they’re saying is worth listening to, even if it doesn’t sound the way a man — straight or gay — would’ve said it. The fact that the ‘voice’ a person uses sounds ‘like a woman’ does not make what they’ve written wrong. The fact that they may inaccurately represent the male experience is not inherently wrong either. Racism, homophobia, etc, should be called out, yes, but telling women to just shut the hell up unless and until they can write like a man is not the answer. And, women, trying to write like a man isn’t the answer either.

What is the answer? I think it’s learning to value women. As for women, I think the answer is to do your research, be as accurate as possible, while letting your own voice come through, because you’re not speaking for anyone else but your characters. So, no, don’t try to write like a man. The way you see the world is no more ‘wrong’ than the way they see the world. We’re all wrong. No one gets it entirely right. But your wrong is just is important as their wrong. Your words have value. Your words are important even when inaccurate. Ours are not unimportant voices simply because we are not male. We shouldn’t be silenced even if men — straight or gay — declare our words invalid.

To be continued….

5 thoughts on “Part Two: The Unimportant Voice (To Men–Straight Or Gay)

  1. Really a great post as always, Natasha!! 😉 I am definitely being so happy for that reason I get my ex back to learn important points from your getaways. Keep it up! 🙂

  2. Great post!

    The way you see the world is no more ‘wrong’ than the way they see the world. We’re all wrong. No one gets it entirely right.

    Yes. This. We are all writing fiction. There are plenty of female characters out there, written by women, who do not represent or capture my experience. And that is okay. That’s great! Because there isn’t just ONE gay experience, or one woman’s experience, or one straight man’s.

    I recently saw some criticisms from a male writer who refers to female m/m writers as the “Tampon Mafia,” which tells you a lot about him. He was decrying all the HEAs in m/m romance, and how that’s not what gay men want. First off, it’s the romance genre. Of course it’s full of HEAs and HFNs. IT’S ROMANCE. Gay, straight – readers want happy endings, and that’s what publishers give them. (Also, who is he to say that NO gay men want a happy ending? Gay men are not the Borg.) I feel like that’s behind some of the more vocal opponents of women writing gay romance – that it’s romance. Which to some is womanly and weak and silly.

    I say if someone doesn’t like it, they don’t have to read it. Some m/m authors are wonderful. Some are terrible. It’s just like in every other genre, male or female.

    What is the answer? I think it’s learning to value women.

    I second that motion!

    1. I recently saw some criticisms from a male writer who refers to female m/m writers as the “Tampon Mafia,” which tells you a lot about him.

      Oh dear.

      He was decrying all the HEAs in m/m romance, and how that’s not what gay men want.

      Gay men want m/m romances to end with break-ups? Somehow, I kind of doubt this. 😉

      Sure, maybe not all gay men want a wedding on the beach at sunset as the final scene, or a passel of adopted kids, but…neither do all straight women/men.

      First off, it’s the romance genre. Of course it’s full of HEAs and HFNs. IT’S ROMANCE. Gay, straight – readers want happy endings, and that’s what publishers give them.

      Seriously, from my point of view, there is plenty of gay media with tragic or miserable endings to choose from. Let’s bring on the happy endings for gay men and women–however that is defined by the course of the characters in the book.

      (Also, who is he to say that NO gay men want a happy ending? Gay men are not the Borg.)

      RESISTANCE IS FUTILE.

      I feel like that’s behind some of the more vocal opponents of women writing gay romance – that it’s romance. Which to some is womanly and weak and silly.

      I think you’ve got a good point there. Sad though that point may be.

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